About Me
I work with music, exploring sound and its impact on people. Over the years, I have experimented with different approaches, searched for my unique sound, and reflected on how music can be beneficial. Perhaps you might be interested in collaborating with me in a different role: as a composer creating music for specific tasks, or as a sound engineer capable of handling all sound-related matters within a defined scope. Besides, I’m finishing a sound design course—maybe my new qualification could also be useful.

### How I Came to This

My journey into autonomous music creation started with beats, but then I delved deeper, trying new forms. At a certain point, I realized that I was more drawn to music without traditional drums—it gave me greater freedom in sound. That was when I first encountered the genre "primitive wave" (a style defined by the method of creation, fully aligned in tempo with the moment it exists in. In other words, sometimes ambient, yet very tangible). This period was a significant stage for me, and the material I created back then is dear to me. I am attaching a demo of that album.

Gradually, I began to ask myself: who is this music for? What kind of music can truly be useful? During this period, the concept of a sonic landscape became close to me—an analogy with visual art. Just like in landscapes, where there is sometimes no clear object, in sound structures, you can also create illusory forms. This led me to explore binaural beats.

### Binaural Beats and Working with Sound Waves

I developed a program that generates three types of waves based on a polynomial dependency of a selected source (e.g., an organ sound) or a drawn waveform. These waves can be used for automating parameters in a composition.

I created binaural beats, taking into account different human states:

- 7 beats for different times of the day on weekdays
- 4 beats for weekends

These works are based on MIDI scores of classical music and modular synthesis. Here is an example of this experiment.

### Music for Concentration and Relaxation

This is something I would like to release as a monthly blog.

The first task was relaxation. The breathing cycle when entering meditation (10-30 cycles per minute) led me to think that the tempo of the music should match this pulse. It was important that the vibrations did not interfere with perception, so I used three instruments automated by three waves. Here is one of the first examples: modular synthesis + field recordings.

Then I turned to the topic of concentration. Many people work while listening to monotonous black metal or lo-fi beats, but why has no one created instrumental black metal specifically for concentration?
I decided to try. Currently, I am working on a concept:

- I have assembled a band; the members will be available in a couple of months
- I will prepare a graphical score based on noise diagrams (air tones)
- We will create instrumental black metal for concentration
- If the experiment is successful, we can release such works monthly

### How This Can Be Useful for a Label

I have ideas and the ability to realize them, but I do not want to handle distribution myself. It is important to me that music reaches people and brings real results, including financial ones.

If my approaches interest you, perhaps we can find common ground and work productively together.

*This timeline presents the nature of my ideas and the area where we can explore collaboration opportunities. The mission of making music helpful to others is important to me, as this timeline also represents my journey out of a difficult period.*